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Analisis Framing Berita Pembunuhan dalam Asahi Shinbun dan Yomiuri Shinbun

Label: by D. Jupriono
27 Maret 2016


Wahyu Setiorini
alumni Prodi Bahasa Jepang, Fakultas Sastra, Universitas 17 Agustus 1945 Surabaya

Parwati Hadi Noorsanti
dosen Prodi Sastra Jepang, Fakultas Ilmu Budaya (FIB); peneliti pada Pusat Kajian Budaya Jepang, Universitas Airlangga (Unair), Surabaya

D. Jupriono
dosen Fakulaltas Sastra dan FISIP; peneliti pada Pusat Kajian Media Massa dan Media Komunikasi Tradisional (PKM3KT), LPPKM; Universitas 17 Agustus 1945 Surabaya


Abstrak. Fokus umum riset ini adalah perbedaan pembingkaian berita pembunuhan antara harian Asahi Shinbun dan Yomiuri Shinbun. Secara lebih khusus, akan ditelaah pembingkaian lewat: (a) pilihan kata (simbol) serta penonjolan atau minimalisasi realitas yang dilakukan dalam judul, teras, dan tubuh berita; (b) motif yang melatarbelakangi pembingkaian peristiwa kedua surat kabar tersebut. Data penelitian, yang berupa berita pembunuhan terhadap seorang gadis yang dimuat pada harian Asahi Shinbun dan Yomiuri Shinbun,dikaji dengan analisis pembingkaian (framing analysis, sebagai salah satu Critical Discourse Analysis. Temuan penelitian ini adalah: Asahi mengaburkan tersangka pembunuhan dan seolah-olah menyalahkan korban, sedang Yomiuri mengungkap fakta orang–orang yang dicurigai melakukan pembunuhan dan lebih berpihak pada korban. Asahi bersikukuh pada objektivitas dalam tradisi positivisme dan linguistik deskriptif, sedang Yomiuri menjaga “etika partisipatoris” (participatory ethic), yang berpihak pada korban, subalternan, dan kelompok lemah dan dilemahkan oleh struktur sosial yang tidak adil, terutama dalam masyarakat kapitalistik.
Kata Kunci: analisis framing, minimalisasi, pembingkaian peristiwa, critical discourse analysis, participatory ethic

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Hidden Motif Behind the Regional Regulation of Bestriding Woman Forbiddance: Foucault Critical Discourse Analysis

Label: by D. Jupriono
13 April 2015


Hidden Motif Behind the Regional Regulation of Bestriding Woman Forbiddance: 
Foucault Critical Discourse Analysis


Paper for International Coference on Sosial and Humanities: Contemporary Issues on Social and Culture,Faculty of Social and Culture Studies, University of Trunojoyo Madura
Bangkalan, 20 November 2013

by
D. Jupriono
lecturer of Faculty of Social and Political Science (FISIP), Untag Surabaya; juprion@untag-sby.ac.id

Ambar Andayani J.
lecturer of Faculty of Letters, Untag Surabaya; ambarandayani@gmail.com



ABSTRACT
The issue of “all together exclamation” Regional Regulation (Qanun) No. 002/2013 dated on 2 January 2013, which is signed by Mayor of Lhokseumawe Suaidi Yahya, Leader of  DPRK Saifuddin Yunus, Leader of MPU Tengku Asnawi Abdullah, and Leader of MAA Tengku Usman Budiman, causes pro and contra responds. The essence of this regional regulation is for the upright of Islamic shari’a in kaffah (total perfection) and well keeping of Aceh people cultural values and customs, adult woman who gets a lift on motor cycle is forbidden to bestride (duek phang). This new regional regulation strikes public opinion from varied people, not only Lhokseumawe people, Nangroe Aceh Darussalam, it also however gets reactions from other regions. There are not only few supporters, but also many protesters.
Eventhough it rises many polemics, scientific studies on qanun are very rare. The previous study, which applied Derrida deconstruction, found a proof that qanun text is full with intrinsic dispute in it (contradictio in terminis). The writer discusses qanun from critical discourse analysis perspective (Bungin 2011), especially knowledge-authority relation genealogy of Michel Foucault. The interpretation of this qanun finds hidden motifs behind that regional regulation agreement, namely: in a long period the City Government of Lhokseumawe purposes to muffle public protest movement and  immobilize Aceh woman feminist movement, and in a short period it aims to divert the attention and watch of public on corruption act of local authorities.

Keywords: critical discourse analysis, genealogy of power, language and authority relation, feminist movement

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Tradisi Lisan sebagai Basis Pengembangan Industri Kreatif: Parikan dalam Desain Grafis Kaos Wisata

Label: by D. Jupriono
 Tradisi Lisan sebagai Basis Pengembangan Industri Kreatif:
Parikan dalam Desain Grafis Kaos Wisata

Oral Tradition as Creative Industry Development Base: Parikan in Tourism T-shirt Graphic Design

Paper  for The International Conference on Regional Culture: 
The Challenges of Culture Revitalization in the 2015  ASEAN Economic Community Era
Universitas Negeri Jember, 8-9 Oktober 2014

 


D. Jupriono
Prodi Ilmu Komunikasi, FISIP, Untag Surabaya
juprion@untag-sby.ac.id





Ayun Maduwinarti
Prodi Administrasi Bisnis, FISIP, Untag Surabaya
ayunmaduwinarti@untag-sby.ac.id

 




Hamim D.M.
Prodi Ilmu Komunikasi, FISIP, Untag Surabaya
hamim@untag-sby.ac.id






ABSTRACT
Tourism T-shirt with unique and funny words of textual graphic design are found in many cities in Indonesia, however which make use of parikan oral tradition have not been found, so it is necessary to start bravely a parikan design tourism t-shirt production. Many sources of parikan can be exploited, the parikan of ludruk artist creation as well as from campursari song creators, classic parikan and plesetan, also erotic parikan of individual creators, sounded in shows as well as recorded in cassettes, CD, DVD, and internet. There are varied parikan which can be explored as the subject of tourism t-shirt graphic design, and every type has its own market target according to typography consideration and communication norms. It needs requirements to sell tourism t-shirt: fulfilling market need, defining valuable product, offering unique subject, and entering market with the precise name.
Keywords: oral tradition, parikan, creative industry, typography graphic design, marketing strategy.

ABSTRAK
Kaos wisata berdesain grafis tekstual kata-kata unik dan lucu ada di banyak kota di Indonesia, tetapi yang memanfaatkan tradisi lisan parikan belum ada, maka perlu keberanian memulai produksi kaos wisata berdesain parikan. Banyak sumber parikan dapat dimanfaatkan, baik parikan karya cipta seniman ludruk, pencipta lagu campursari, maupun parikan klasik serta parikan pelesetan dan erotik karya orang per orang, baik yang terlantunkan dalam pertunjukan maupun yang terekam dalam kaset, CD, DVD, maupun internet. Ada bermacam-macam parikan yang dapat dieksplorasi sebagai materi desain grafis kaos wisata, dan setiap macamnya memiliki pangsa pasarnya sendiri menurut perhitungan tipografi dan kesesuaian norma komunikasi. Untuk memasarkan kaos wisata, diperlukan syarat: memenuhi kebutuhan pasar, memastikan produk bernilai, menawarkan sesuatu yang unik, dan memasuki pasar dengan nama yang tepat.
Kata kunci: tradisi lisan, parikan, industri kreatif, desain grafis tipografi, strategi pemasaran

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djupriono 2009 I e-mail : djupriono.sastra@gmail.com

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